Table of Contents

Vivienne J. Gray: Introduction
I. Gender
1: Sarah B. Pomeroy: Slavery in the Greek Domestic Economy in the Light of Xenophon's Oeconomicus
2: Emily Baragwanath: Xenophon's Foreign Wives
3: Clifford Hindley: Xenophon on Male Love
II. Democracy
4: Philippe Gauthier: Xenophon's Programme in the Poroi
5: Steven Johnstone: Virtuous Toil, Vicious Work: Xenophon on Aristocratic Style
6: Simon Goldhill: The Seductions of the Gaze: Socrates and his Girlfriends
III. Socrates
7: Donald R. Morrison: Xenophon's Socrates as Teacher
8: Andreas Patzer: Xenophon's Socrates as Dialectician
9: Bernhard Huss: The Dancing Socrates and the Laughing Xenophon, or The Other Symposium
10: Louis-Andre Dorion: The Straussian Interpretation of Xenophon: The Paradigmatic Case of Memorabilia IV.4
IV. Cyropaedia
11: Pierre Carlier: The Idea of Imperial Monarchy in Xenophon's Cyropaedia
12: Philip Stadter: Fictional Narrative in the Cyropaideia
13: E. Lefevre: The Question of the Good Life. The Meeting of Cyrus and Croesus in Xenophon
14: Michael Reichel: Xenophon's Cyropaedia and the Hellenistic Novel
15: H. Sancisi-Weerdenburg: The death of Cyrus. Xenophon's Cyropaedia as a Source for Iranian History
V. Historical Writing
16: H. D. Westlake: The Sources for the Spartan Debacle at Haliartus
17: Hartmut Erbse: Xenophon's Anabasis
18: John Ma: You can't go home again: Displacement and Identity in Xenophon's Anabasis
19: Patrick J. Bradley: Irony and the arrator in Xenophon's Anabasis
20: Vivienne J. Gray: Interventions and Citations in Xenophon's Hellenica and Anabasis

About the Author

Vivienne J. Gray is Professor of Classics and Ancient History at the University of Auckland.

Reviews

[a] fine selection of essays ... offer[s] further insight into his literary skills as well as a good sense of the cultural interest of Xenophon as a historical figure in his own right
*Tim Rood, Times Literary Supplement*

tremendously accomplished pieces of scholarship, and will be of permanent value to all who work on this fascinating text, or on fourth-century Athens more generally.
*Jeremy Trevett, Bryn Mawr Classical Review*