Introduction: Avant-Garde, Advertising and the Managing of Multiplicity 1. Absolute Advertising: Abstraction and Figuration in Ruttmann’s Animated Product Advertisements (1922-1927) 2. The Cross-Section: Images of theWorld and Contingency Management in Ruttmann’s Montage Films of the Late 1920s (1927-1929) 3. Statistics and Biopolitics: Conceiving the National Body in Ruttmann’s Hygiene Films (1930-1933) 4. ŸÜberall StahlŒ: Forming the New Nation in Ruttmann’s Steel and Armament Films (1934-1940) Afterword: Of Good and Bad Objects Notes Bibliography Filmograph Index of Names Index of Film Titles Index of Subjects
Michael Cowan is Professor of film and media history in the Department of Cinematic Arts at the University of Iowa. His research, focused on German and European cinema, examines the broader cultural and technological contexts in which film practices emerged and evolved in the early 20th century. His publications have won numerous awards from the Society of Film and Media Studies and the British Association of Film and Television Studies Scholars, as well as the Willy Haas Award (Germany) and the Limina Award (Italy).
"A veritable hothouse of modernity, the singular film career of
Walter Ruttmann spans advertising films, Weimar era experiments,
big city symphonies, industrial and medical shorts, Kulturfilme,
and Nazi propaganda. Cowan's impressive book is keenly attentive to
historical materials, ever acute in its close analyses, and
extraordinarily mindful of this cinema's pertinence for current
debates about media culture and mass society. Indeed, this
exemplary study rises admirably and persuasively to the many
challenges posed by Ruttmann's imposing body of work." -- Eric
Rentschler, Harvard University
"In the first book on Walter Ruttmann in English, Michael Cowan
tackles this major but apparently paradoxical filmmaker: an
innovator of abstract animation who also directed one the most
influential documentaries; leader of Weimar avant-garde film
culture who ended up making propaganda films for the Nazis. With
critical insight and a firm sense of cultural history, Cowan not
only details Ruttmann's complex career, but uncovers its complex
dynamics by providing a new account of both twenties experimental
film and Third Reich cinema." -- Tom Gunning, University of
Chicago
'[An] extremely well-written book and inspiring analysis of
Ruttmann's work.' - Eva Hielscher, Ghent University, Historical
Journal of Film, Radio and Television 35 (2), June 2015
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