Table of Contents

Introduction
Context and Composition
Concerto as Catalyst
Analytical Tools and Recurring Elements
Counterpoint and Tonality in the First Movement
Tetrachords and Tritones in the Largo
Points of Imitation in the Finale
Conclusion
Appendix
Notes
Bibliography
Index

Reviews

[S]hould provide a great resource for scholars, conductors, and performers interested in deepening their understanding of Stravinsky's concerto and his neoclassical style.
*NOTES: JOURNAL OF THE MUSIC LIBRARY ASSOCIATION*