Table of Contents

Acknowledgments

Introduction: Sound Matters
Nora M. Alter and Lutz Koepnick

PART I: SOUND NATION?

Chapter 1. Hegemony through Harmony: German Identity, Music, and Enlightenment around 1800
Nicholas Vazsonyi

Chapter 2. Mahler contra Wagner: The Third Symphony and the Political Legacy of Romanticism
Carl Niekerk

Chapter 3. Conducting Music, Conducting War: Nazi Germany as an Acoustic Experience
Frank Trommler

PART II: DISSONANT VISIONS

Chapter 4. The Politics and Sounds of Everyday Life in Kuhle Wampe
Nora M. Alter

Chapter 5. Sound Money: Aural Strategies in Rolf Thiele’s The Girl Rosemarie
Hester Baer

Chapter 6. The Castrato’s Voices: Word and Flesh in Fassbinder’s In a Year of Thirteen Moons
Brigitte Peucker

PART III: SOUNDS OF SILENCE

Chapter 7. Benjamin’s Silence
Lutz Koepnick

Chapter 8. Deafening Sound and Troubling Silence in Volker Schlöndorff’s Die Blechtrommel
Elizabeth C. Hamilton

Chapter 9. Silence Is Golden? The Short Fiction of Pieke Biermann
Christopher Jones

PART IV: TRANSLATING SOUND

Chapter 10. Broadcasting Wagner: Transmission, Dissemination, Translation
Thomas F. Cohen

Chapter 11. Sounds Familiar? Nina Simone’s Performances of Brecht/Weill Songs
Russell A. Berman

Chapter 12. Roll Over Beethoven! Chuck Berry! Mick Jagger! 1960s Rock, the Myth of Progress, and the Burden of National Identity in West Germany
Richard Langston

Chapter 13. The Music That Lola Ran To
Caryl Flinn

PART V: MEMORY, MUSIC, AND THE POSTMODERN

Chapter 14. “Heiner Müller vertonen”: Heiner Goebbels and the Music of Postmodern Memory
David Barnett

Chapter 15. The Technological Subject: Music, Media, and Memory in Stockhausen’s Hymnen
Larson Powell

Notes on Contributors
Index

About the Author

Nora M. Alter is Professor of German, Film and Media Studies at the University of Florida. She is author of Vietnam Protest Theatre: The Television War on Stage (Indiana UP, 1996) and Projecting History: German Non-Fiction Film 1967-2000, (University of Michigan Press, 2002). She has published articles in New German Critique, The Germanic Review, Cultural Critique, Studies in Twentieth Century Literature, and contributed essays to Beyond 1989, Imperialism and Theatre and Triangulated Visions. She is currently working on a project on the "The Essay Film."

Reviews

“This volume is a most welcome contribution to an area of inquiry the editors concede as been slow to flourish in German Cultures Studies…the polished and thought-provoking essays in this anthology will lead readers to begin hearing things differently in their own research and teaching.”  ·  German Studies Review