Acknowledgments
Contributors
Introduction
1 Hollywood Faces New Challenges
2 Changing Patterns of Production and the Arrival of the
Conglomerates
3 The Runaway Audience and the Changing World of Movie
Exhibition
4 The Waning Production Code and the Rise of the Ratings System
5 The Camera Eye
6 The Cutter's Room
7 Sound and Music
8 The Twilight of the Goddesses: Hollywood Actresses in the
1960s
9 Male Domination of the Hollywood Screen
10 The Establishment Judges: Academy Awards for Best Picture
11 Landmark Movies of the 196os and the Cinema of Sensation
12 The Nonfiction Film
Richard M. Barsam
13 "What Went Wrong?": The American Avant-Garde Cinema of the
196os
Walter Metz
Conclusion
Appendixes
APPENDIX 1 NUMBER OF FEATURE FILMS RELEASED BY THE SEVEN
MAJOR
DISTRIBUTION COMPANIES, 1960-1968, 1970
APPENDIX 2 NUMBER AND FREQUENCY OF THEATRICAL AND MADE-FOR-TV
FEATURE FILMS ON
U.S. NETWORK TELEVISION, 1961/62-1970/71
APPENDIX 3 NUMBER OF MOTION PICTURE THEATERS IN THE UNITED
STATES
APPENDIX 4 CONSTRUCTION OF NEW MOTION PICTURE THEATERS
IN THE UNITED
STATES, BY TYPE
APPENDIX 5 MOTION PICTURE BOX OFFICE RECEIPTS IN THE UNITED
STATES
APPENDIX 6 RELEASES IN WIDESCREEN PROCESSES, 1960-1968
APPENDIX 7 ACADEMY AWARD NOMINATIONS AND WINNERS (IN BOLD) FOR
BEST PICTURE,
1960-1969
APPENDIX 8 SELECTED AMERICAN AVANT-GARDE FILMS OF THE SIXTIES, BY
YEAR
Notes
Bibliography
Picture Sources
General Index
Index of Films
Paul Monaco is Professor of Cinema/Video at Montana State University, Bozeman. Among his books are Understanding Society, Culture, and Television (1998) and Ribbons in Time: Movies and Society since 1945 (1987). He has twice received Fulbright fellowships to Germany.
"Nowhere was the cultural upheaval of the 1960s more dramatically expressed than in the motion picture industry. Groundbreaking films such as "The Wild Bunch, Dr. Strangelove, "and "Easy Rider "marked a sharp contrast to the predominantly conventional fare of the previous decade. Monaco skillfully delineates this transformation."--"Library Journal"
"Nowhere was the cultural upheaval of the 1960s more dramatically expressed than in the motion picture industry. Groundbreaking films such as "The Wild Bunch, Dr. Strangelove, "and "Easy Rider "marked a sharp contrast to the predominantly conventional fare of the previous decade. Monaco skillfully delineates this transformation."--"Library Journal"
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