List of Illustrations
Acknowledgments
Introduction
Lindsey A. Freeman, Benjamin Nienass, and Rachel Daniell
PART I: SPECTACULAR MEMORY: MEMORY AND APPEARANCE IN THE AGE OF INFORMATION
Chapter 1. Haunted by the Spectre of Communism:
Spectacle and Silence in Hungary’s House of Terror
Amy Sodaro
Chapter 2. Making Visible: Reflexive Narratives
at the Manzanar U.S. National Historic Site
Rachel Daniell
Chapter 3. The Everyday as Spectacle: Archival
Imagery and the Work of Reconciliation in Canada
Naomi Angel
PART II: SCREENING ABSENCE: NEW TECHNOLOGY, AFFECT, AND MEMORY
Chapter 4. Viral Affiliations: Facebook, Queer
Kinship, and the Memory of the Disappeared in Contemporary
Argentina
Cecilia Sosa
Chapter 5. Learning by Heart: Humming, Singing,
Memorizing in Israeli Memorial Videos
Laliv Melamed
Chapter 6. Arcade Mode: Remembering,
Revisiting, and Replaying the American Video Arcade
Samuel Tobin
PART III: SILENCE AND MEMORY: ERASURES, STORYTELLING, AND KITSCH
Chapter 7. Remembering Forgetting: A Monument
to Erasure at the University of North Carolina
Timothy J. McMillan
Chapter 8. The Power of Conflicting Memories in
European Transnational Social Movements
Nicole Doerr
Chapter 9. Memories of Jews and the Holocaust
in Postcommunist Eastern Europe: The Case of Poland
Joanna Michlic
Chapter 10. 1989 as Collective Memory
“Refolution”: East-Central Europe Confronts Memorial Silence
Susan C. Pearce
Conclusion: Silence, Screen, and Spectacle:
Rethinking Social Memory in the Age of Information and New
Media
Lindsey A. Freeman, Benjamin Nienass, and Rachel Daniell
List of Contributors
Lindsey A. Freeman is an Assistant Professor in Sociology and Anthropology at Simon Fraser University. She is the author of Longing for the Bomb: Oak Ridge and Atomic Nostalgia and a co-editor of The Bohemian South: Creating Countercultures from Poe to Punk.
“This is an extremely interesting collection of essays on a wide variety of memory practices from across the globe.” · Jo Labanyi, New York University
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