List of illustrations; Preface; Acknowledgements; Introduction; Part I. The United States: 1. The domestic roots of Hollywood's foreign policy: censorship and corporatism in the formation of the MPPDA, 1921–41; 2. Hollywood and the State department: overseas expansion and America's subversion; 3. The MPAA and the State department: order and autonomy in the postwar world; Part II. Great Britain: 4. Grierson, the documentary spirit and the projection of Britain; 5. The Korda road to riches, recovery and ruin; 6. The age of rank; 7. The US-UK film conflict: the fading dream of mastering Hollywood; Part III. Two Continental Case Studies: Belgium and France: 8. Belgium and the making of an international Catholic film movement; 9. France and resistance to Hollywood: empire, artisans and the state; 10. France and the politics of state intervention; Conclusion; Notes; Selected bibliography; Filmography; Index.
This book investigates European efforts to overcome the American film industry's international pre-eminence.
'This is an important book on the political economy of Hollywood.' John Sedgwick, University of London '... a well-researched synthesis of Hollywood history that adds useful insight to the vibrant field of transatlantic studies ...' American Studies International '... a rich resource for anyone interested in what has been at stake in the interplay between Hollywood and its rival cinemas ... a well-researched work that enriches our understanding of a complex relationship that continues to impact communities around the world.' Film Quarterly 'Interesting and important ...' Communication Booknotes Quarterly 'Joining the distinguished Cambridge Studies in the History of Mass Communications series, this deserving book takes its place on the shelf with such fine works as Kristin Thompson's Exporting Entertainment. ... Well indexed with a good bibliography and a few stills, this is a book for graduate students, researchers, and faculty.' Choice 'Trumpbour is to be congratulated for never treating complex issues as simple matters of black or white...[his] research is impressive ... and the book has tremendous value for the background it provides on current debates about globalization and Hollywood's continuing domination of the international film scene.' Business History Review
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