Table of Contents

Introduction: The Work of Art in the Space of Its Material Dissolution 

Chapter 1: Doubly Immortal: The Song of Songs (1933)

Chapter 2: Suspect Modernism: Venus vor Gericht (1941) and Muerte de un ciclista (1955)

Chapter 3: The World Gone Wiggy: The Trouble with Harry (1955) 

Chapter 4: Art for the Apocalypse: The Damned (1961) 

Chapter 5: Object Choices: An Unmarried Woman (1978) and The Player (1992) 

Chapter 6: Subjects, Objects, and Erotic Upheaval at Pemberley: Pride & Prejudice (2005)

About the Author

SUSAN FELLEMAN is Professor of Art History and Film and Media Studies at the University of South Carolina.

Reviews

' Felleman (Univ. of South Carolina) adroitly examines how sculptures and paintings hold up in the film medium as much more than props and reproductions. An important contribution to film studies. ' 
*J. Simon, University of Georgia*