Table of Contents

Introduction: a brief survey of concepts and aims; Part I. Mimesis and the Making of Identity in Poetic Performance: 1. The Homeric nightingale and the poetics of variation in the art of a troubadour; 2. Mimesis, models of singers, and the meaning of a Homeric epithet; 3. Mimesis in Homer and beyond; 4. Mimesis in lyric: Sappho's Aphrodite and the Changing Woman of the Apache; Part II. Fixed Text in Theory, Shifting Words in Performance: 5. Multiform epic and Aristarchus' quest for the real Homer; 6. Homer as script; 7. Homer as 'scripture'; Epilogue: dead poets and recomposed performers; Appendix; Bibliography; Index.

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This book is a comparative study of oral poetics in literate cultures.

Reviews

"In this technical yet clear book, Nagy explores how the Homeric poems, stemming from an oral tradition that can be traced to the middle of the second millenium BCE, became the written texts of today...Rich in detail, knowledge and scope, Nagy's book (the culmination of years of work) offers a lucid, well-argued approach to these problems. It will interest not only specialists in ancient Greek poetry, but anyone concerned with oral traditions." P. Nieto, Choice