Preface
Introduction: In Praise of Performance
1. Cool Jazz, Hot Jazz and Hard Bop on a Summer's Day
2. Wild Guitarists and Spastic Singers: Virtuosic Performance on
Film
3. Direct Cinema, Rock's Public Persona and the Emergence of the
Rock Star
4. Instrumental Technique and Facial Expression On Screen
5. Free Jazz Meets Independent Film: Shirley Clarke's Ornette: Made
in America
6. 'I'm Looking at Them and They're Looking at Me': Observation and
Communication in Sex Pistols: Live at the Longhorn
Conclusion: Simple Gestures and Smooth Spaces in Robert Cahen's
Boulez-Repons
Bibliography
Index
Thomas Cohen. n/a
This interestingly conceived and well-annotated book managed to
change the way I looked at and perceived musical performance
captured on film.
*Documentary Magazine*
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