Table of Contents

Acknowledgements; Introduction; 1. Colonial Landscape; 2. Later Victorian Landscapes; 3. Images of Maori; 4. Art in the 1890s; 5. The Expatriates; 6. The La Trobe Scheme; 7. Regionalism and Realism; 8. Towards Modernism; 9. Neo-Expressionism; 10. Later Abstraction; 11. Postmodernism: New Figuration; 12. Maori and Polynesian Contemporary Painting; Bibliography; List of colour Plates; List of Black and White Plates; Index

About the Author

Michael Dunn is the head of the Elam School of Fine Arts at the University of Auckland. He is the author of New Zealand Sculpture, A Concise History of New Zealand Painting, and Contemporary Painting in New Zealand.