Table of Contents

Introduction 1. Performing 'the Personal' in the Interview 2. Re-writing the Journey to Africa or 'finding the wrong ancestors' in En attendant le bonheur 3. Voice, Irony and History in Moi Tituba, sorcière... Noire de Salem 4. Autobiography and Reading in Le Cœur à rire et à pleurer: Contes vrais de mon enfance 5. Literature, Art and Identity Politics in Les Derniers Rois mages 6. On the Creative Uses of Gaps: (Re)-imagining Identity in Desirada 7. Conclusion

About the Author

Eva Sansavior