Reviews

`A fascinating study of the reception of the opera from the late eighteenth century to the post-war Purcell revival.' Curtis Price, Early Music History
`a breath of fresh air...Harris has made a significant contribution to the history of performance practice' Times Literary Supplement
`concentrated, full of interest' Opera
`Here is an exemplary manual for the performer that is as rewarding for the general listener, and one no less illuminating for either.' Music and Musicians
`a useful summary of current thinking about Dido and Aeneas.' Margaret Laurie, Music and Letters