Table of Contents

Preface
Anna Höglund and Cecilia Trenter
Introduction
Anna Höglund and Cecilia Trenter
The Use of the Fantastic in a Historical Perspective
Dragons and Kingdoms: Political Authority and Fantasy in the Histories of Geoffrey of Monmouth and Saxo Grammaticus
Hans Hägerdal
Egyptian Mummies, Medicine and the Supernatural in Eighteenth-Century Sweden
Joachim Östlund
A Double-Edged Sword: Promises and Dangers of Hypnotism in Sweden, 1880–1915
Cecilia Riving
The Use of the Fantastic and Fantastika in Contemporary Culture
A Friend and Foe: The Portrayal of Otherness and Disease in Vampire Fiction
Anna Höglund
Priestesses of Avalon: Fantasy Fiction and Contemporary Goddess Worship
Åsa Trulsson
Dwarfs Are Not Religious, Sir! Gradually Reclining Dwarven Irreligion in Terry Pratchett’s Discworld Universe
Jonas Svensson
Bringing Dragons Back into the World: Dismantling the Anthropocene in Robin Hobb’s The Realm of the Elderlings
Mariah Larsson
Our World Is Dew: Tor Åge Bringsværd’s Fable Prose as a Chthulucenic Exploration
Marit Ruge Bjærke and Kyrre Kverndokk
The Use of the Fantastic and Fantastika in Memory Culture
“And this is how I tried to fathom the Lindenborg Pool”: William Morris, Medievalism and Modernity
Per Klingberg
Fairy Tales Transformed: Analyzing a New Wave of Feminist Retellings of Fairy Tales
Maria Nilson
Remediation of Cultural Memory in the Dragon Age Videogame Series
Cecilia Trenter
Fallout, Memory and Values: The Uses of History and Time in a Fantasy-Driven Videogame
Derek Fewster
About the Contributors
Index

About the Author

Anna Höglund is a senior lecturer in comparative literature at Linnaeus University, Sweden. Her research areas are horror fiction and fantastic fiction in literature and film with a focal point on the functions of monsters like vampires, zombies and werewolves, as instrumental interpretations of the world. Cecilia Trenter is a senior lecturer in history at Malmö University, Sweden. She works within the research field of memory studies and public history, including heritage adaptions and remediation in fiction, for instance epic films and computer-games.

Reviews

“Offers numerous insightful, informative and original contributions to a wide variety of topics circulating around the fantastic’s multiple interconnections with cultural histories….The book will be a valuable resource for scholars/students of the fantastic...”—Sean Moreland, University of Ottawa