A nail-biting thriller about a small British team of men sent into Iran to smuggle out a feisty, independent, beautiful young woman.
A nail-biting thriller about a small British team of men sent into Iran to smuggle out a feisty, independent, beautiful young woman.
Gerald Seymour exploded onto the literary scene in 1978 with the massive bestseller HARRY'S GAME. The first major thriller to tackle the modern troubles in Northern Ireland, it was described by Frederick Forsyth as 'like nothing else I have ever read' and it changed the landscape of the British thriller forever.Gerald Seymour was a reporter at ITN for fifteen years. He covered events in Vietnam, Borneo, Aden, the Munich Olympics, Israel and Northern Ireland. He has been a full-time writer since 1978
Those [Seymour] sends off into dangerous territory are, in fact, his readers. With each book, we enter a dangerous universe, and are totally involved with utterly plausible characters, faced with moral choices that are rarely straightforward . . . The single most important element here is the obsessive Winnie, whose pursuit of revenge for her dead agent is the motor for all that happens. Winnie is a forceful creation, with her burning resentment against those who feel contempt for the way the rest of us live. - IndependentOnce again demonstrating his ability to probe the moral murkiness of the spy trade and create an absorbingly diverse ensemble, Seymour crafts a sophisticated, reader-teasing tale. - The Sunday Times[Seymour's] books are rich in the drama of people reacting to events and situations they never could have expected. - Weekend Press, New ZealandPicking up a novel by Gerald Seymour is like taking a deep breath of fresh air . . . his subject here is the Middle East, presented with a vividness and veracity that makes most of his rivals look footling . . . As always with Seymour, the sense of a minatory foreign landscape is acutely rendered . . . never have the badlands of Iraq been evoked with such oppressive rigour. And how many other writers would have fleshed out the bomb-maker, who would simply represent "evil" in most thrillers? S
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