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Clarissa - An Abridged Edition
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Table of Contents

Acknowledgements
Introduction
Samuel Richardson: A Brief Chronology
A Note on the Text

Clarissa

Appendix A: Prefatory Material for the Second Edition, 1749

Appendix B: Richardson’s Correspondence

  • Correspondence with “Mrs. Belfour”/Lady Bradshaigh (1748–53)
    • Letter 1: Lady Bradshaigh to Richardson
    • Letter 2: Richardson to Lady Bradshaigh
    • Letter 3: Lady Bradshaigh to Richardson
    • Letter 4: Richardson to Lady Bradshaigh
    • Letter 5: Richardson to Lady Bradshaigh
  • Correspondence with Johannes Stinstra (1753–54)
    • Letter 1: Richardson to Johannes Stinstra
    • Letter 2: Johannes Stinstra to Richardson
    • Letter 3: Richardson to Johannes Stinstra
  • Appendix C: Eighteenth-Century Responses to Clarissa

  • Henry Fielding, Letter to Richardson (1748)
  • Sarah Fielding, Letter to Richardson (1749)
  • Review of Clarissa by Albrecht Von Haller (1749)
  • Review of Clarissa by Samuel Johnson (1750)
  • Elizabeth Echlin, An Alternative Ending to Richardson’s Clarissa (1754–55)
  • Denis Diderot, “In Praise of Richardson” (1761)
  • From James Beattie, “On Fable and Romance” (1783)
  • Anna Lætitia Aikin Barbauld, “The Life of Samuel Richardson, with Remarks on His Writings” (1804)
  • Select Bibliography

    About the Author

    Toni Bowers is Professor of English at the University of Pennsylvania.

    John Richetti is A.M. Rosenthal Professor (Emeritus) of English at the University of Pennsylvania. Both have published widely on eighteenth-century fiction.

    Reviews

    Clarissa is one of the towering masterpieces of the eighteenth century, and it is impossible to understand the literature of the period and the rise of the novel without it. This new edition provides a rigorously conceived, expertly executed solution to the problem of abridgment, and restores to the undergraduate classroom a work previously excluded by sheer length." - Thomas Keymer, University of Toronto

    "Eager to introduce rather than replace a masterpiece, Richetti and Bowers offer a practical classroom compromise to the familiar problem of Richardson's prolixity. Surely an abridgment of this magnitude—with its smart choice of the 1751 third edition as copy text, its accessible introduction and notes, and an appendix that resurrects important historical contexts—will tempt new generations of readers to consider, eventually, all of Clarissa." - Janine Barchas, University of Texas at Austin

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