Foreword – Alexander Kluge
Background, Inspiration, Contexts – Tara Forrest and Anna Teresa Scheer
Chapter One: The Tunguska Manifesto: Schlingensief’s Critique of Film and the Restitution of Experience – Richard Langston
Chapter Two: An Obscene Reckoning: History and Memory in Schlingensief’s Deutschlandtrilogie – Kristin T. Vander Lugt
Chapter Three: Theatre of Self-Questioning: Rocky Dutschke, ’68, or the Children of the Revolution – Sandra Umathum
Chapter Four: Passion Impossible or Man with a Mission: A Go! manesque Intervention – Anna Teresa Scheer
Chapter Five: Putting the Public Sphere to the Test: On Publics and Counter-Publics in Chance 2000 – Solveig Gade
Chapter Six: ‘Right now Austria looks ridiculous’: Please Love Austria! – Reforging the Interaction between Art and Politics – Denise Varney
Chapter Seven: Productive Discord: Schlingensief, Adorno, and Freakstars 3000 – Tara Forrest
Chapter Eight: The Fusion and Confusion of Art and Terror(ism): ATTA ATTA – Brechtje Beuker
Chapter Nine: Media Play: Intermedial Satire and Parodic Exploration in Elfriede Jelinek and Christoph Schlingensief’s Bambiland – Morgan Koerner
Chapter Ten: Schlingensief’s Animatograph: Time Here Becomes Space – Roman Berka
Chapter Eleven: Citizen of the Other place: A Trilogy of Fear and Hope – Florian Malzacher
Chapter Twelve: Blurring Boundaries/Changing Perspectives: An Interview with Christoph Schlingensief – Florian Malzacher
Tara Forrest is Senior Lecturer in Cultual Studies, University of Technology, Sydney. Anna Teresa Scheer is a performer and director who worked at key theatres in Berlin including the Volksbuhne where Christoph Schlingensief was engaged as an in-house director. She moved back to Australia in 2007 where she is completing her MA thesis on his work.
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