A hilarious fantasy, co-written by Terry Pratchett, aged seventeen, and master storyteller, Terry Pratchett, aged forty-three.
Terry Pratchett is the acclaimed creator of the global bestselling Discworld series, the first of which, The Colour of Magic, was published in 1983. Raising Steam is his fortieth Discworld novel. His books have been widely adapted for stage and screen, and he is the winner of multiple prizes, including the Carnegie Medal, as well as being awarded a knighthood for services to literature. After falling out with his keyboard he now talks to his computer. Occasionally, these days, it answers back. www.terrypratchett.co.uk @terryandrob
"For readers who are attracted to epic but not quite ready for the weightiness of Tolkien, this is a perfect entree; for those who have loved or will love Pratchett, it's simply a must read." Bulletin of the Center for Children's Books "Only a writer with a masterstroke of imagination could place an entire empire of goodies and baddies within the fronds of a carpet" Daily Mail "The perfect starting place for young readers ... seasoned Pratchett fans will just revel in his wit, his subversion of tropes and his sense of humanity." Kirkus "A unique piece of high fantasy ... Now very witty and politically aware in its revised version with the new ending" Vector "The story is inventive in its carefully worked-out central conceit, often very funny, and dotted with some genuinely scary bits." Publishers Weekly
"For readers who are attracted to epic but not quite ready for the weightiness of Tolkien, this is a perfect entree; for those who have loved or will love Pratchett, it's simply a must read." Bulletin of the Center for Children's Books "Only a writer with a masterstroke of imagination could place an entire empire of goodies and baddies within the fronds of a carpet" Daily Mail "The perfect starting place for young readers ... seasoned Pratchett fans will just revel in his wit, his subversion of tropes and his sense of humanity." Kirkus "A unique piece of high fantasy ... Now very witty and politically aware in its revised version with the new ending" Vector "The story is inventive in its carefully worked-out central conceit, often very funny, and dotted with some genuinely scary bits." Publishers Weekly
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