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Best British Short Stories 2016
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Table of Contents

  • Nicholas Royle – Introduction
  • Leone Ross – The Woman Who Lived in a Restaurant
  • Robert Sheppard – Arrivals
  • Mark Valentine – Vain Shadows Flee
  • Jessie Greengrass – The Politics of Minor Resistance
  • Trevor Fevin – Walsingham
  • Ian Parkinson – A Belgian Story
  • DJ Taylor – Some Versions of Pastoral
  • Colette Sensier – Mrs Świętokrzyskie’s Castle
  • Neil Campbell – A Leg to Stand On
  • Alex Preston – Wyndham Le Strange Buys the School
  • John Saul – Song of the River
  • Greg Thorpe – 1961
  • Crista Ermiya – 1977
  • David Gaffney – The Staring Man
  • Tony Peake – The Bluebell Wood
  • Kate Hendry – My Husband Wants to Talk to Me Again
  • Graham Mort – In Theory, Theories Exist
  • Claire-Louise Bennett – Control Knobs
  • Thomas McMullan – The Only Thing Is Certain Is
  • Stuart Evers – Live from the Palladium
  • Janice Galloway – Distance
  • Contributors’ Biographies
  • Acknowledgements

About the Author

Nicholas Royle is the author of five short story collections – Mortality, Ornithology, The Dummy and Other Uncanny Stories, London Gothic and Manchester Uncanny – and seven novels, most recently First Novel. He has edited more than two dozen anthologies and is series editor of Best British Short Stories for Salt, who also published his White Spines: Confessions of a Book Collector. Forthcoming is another collection, Paris Fantastique (Confingo Publishing). In 2009 he founded Nightjar Press, which continues to publish original short stories as limited-edition chapbooks.

Claire-Louise Bennett is the author of Pond, published by Fitzcarraldo Editions. She was born in Wiltshire and currently resides in the west of Ireland.

Neil Campbell is a short story writer, novelist and poet. From Manchester, England, he has appeared three times in the annual anthology of Best British Short Stories (2012/2015/2016). He has published four collections of short fiction, two novels, two poetry chapbooks and one poetry collection, as well as appearing in numerous magazines and anthologies.

Crista Ermiya was born in London to a Filipino mother and Turkish-Cypriot father. Her stories have been published widely in magazines and anthologies and her story in the present volume comes from her debut collection The Weather in Kansas published by Red Squirrel Press. Crista Ermiya is a winner of the Decibel Penguin Short Story Prize. She lives in Newcastle upon Tyne with her husband and son.

Stuart Evers is the author of two short story collections, Ten Stories About Smoking and Your Father Sends His Love, and a novel, If This is Home. He lives in London with his family.

Trevor Fevin worked for a number of years as a counsellor in the National Health Service. He was awarded a distinction for his MA in creative writing at Edge Hill University. His stories have been shortlisted in competitions with Chroma and Synaesthesia magazines.

David Gaffney lives in Manchester. He is the author of the novels Never Never (2008), All The Places I’ve Ever Lived ( 2017) and Out Of The Dark (2022) plus the flash fiction and short story collections Sawn-Off Tales (2006), Aromabingo (2007), The Half-Life of Songs (2010) and More Sawn-Off Tales (2013). His graphic novels with Dan Berry include The Three Rooms In Valerie’s Head (2018) and Rivers (2021).

Janice Galloway is the author of three novels and four collections of short stories. She studied at Glasgow University and has worked as a teacher. Her awards include: the MIND/Allan Lane Award for The Trick is to Keep Breathing, the McVitie’s Prize for Foreign Parts, the EM Forster Award (presented by the American Academy of Arts and Letters), the Creative Scotland Award, Saltire Scottish Book of the Year for Clara and the SMIT non-fiction Book of the Year for This is Not About Me. She has written and presented three radio series for BBC Scotland (Life as a Man, Imagined Lives and Chopin’s Scottish Swansong) and works extensively with musicians and visual artists.

Jessie Greengrass was born in 1982. She studied philosophy in Cambridge and London, where she now lives with her partner and child. Her debut short story collection, An Account of the Decline of the Great Auk, According to One Who Saw It, is published by JM Originals, an imprint of John Murray.

Kate Hendry is a writer, editor and teacher living in Edinburgh. Her short stories have been published in Harpers, Mslexia and New Writing Scotland. She was a runner up in the 2009 Bridport Prize and has been a recipient of a Scottish Book Trust New Writer’s Bursary. Her first collection of poems will be published by HappenStance Press in 2016.

Thomas McMullan is a London-based writer. His work has been published by Lighthouse, Minor Literature[s], 3:AM Magazine, The Stockholm Review and The Literateur. He regularly contributes to the Guardian and is currently seeking representation. www.thomasmcmullan.com @thomas_mac.

Graham Mort, poet and short fiction writer, is Professor of Creative Writing and Transcultural Literature at Lancaster University. He specialises in literature development work and recent projects have taken him to South Africa, Kurdistan, Vietnam and China. His first book of stories, Touch (Seren), won the Edge Hill Prize in 2011 and his latest book of stories, Terroir (Seren), is currently long-listed for the same prize. A new book of poems, Black Shiver Moss, will appear from Seren in 2017.

Ian Parkinson was born in Lancashire in 1978 and studied philosophy at university before working as a civil servant and insurance clerk. His first novel, The Beginning of the End, was published in 2015.

Tony Peake has contributed to numerous anthologies including Winter’s Tales, The Penguin Book of Contemporary South African Short Stories, The Mammoth Book of Gay Short Stories, The Gay Times Book of Short Stories: New Century New Writing, New Writing 13, Yes, I Am! Writing by South African Gay Men and Seduction, a themed anthology which he also edited. He is the author of two novels, A Summer Tide (1993) and Son to the Father (1995), and a biography, Derek Jarman (1999). Further details on www.tonypeake.com.

Alex Preston was born in 1979. He is the award-winning author of three novels and appears regularly on BBC television and radio. He writes for GQ, Harper’s Bazaar and Town & Country Magazine as well as for the Observer’s New Review. He teaches Creative Writing at the University of Kent and regular Guardian Masterclasses. He is @ahmpreston on Twitter.

Leone Ross is a novelist, short story writer and editor. Her fiction has been nominated for the Women’s Prize, Goldsmiths Prize, RSL Ondjaate Prize and Edge Hill Prize, among others, and ‘When We Went Gallivanting’ won the Manchester Fiction Prize in 2022. She has taught creative writing for more than 20 years, and worked as a journalist throughout the 1990s. She is editor of Glimpse, the first Black British anthology of speculative fiction (Peepal Tree Press, 2022). Her third novel, This One Sky Day aka Popisho, is published in paperback by Faber & Faber and Picador USA. In 2023, she was named as a Fellow of the Royal Society of Literature.

John Saul grew up in Liverpool. Widely published, his short fiction has been brought together in three collections with a fourth, The Book of Joys, due out this year from Confingo Publishing. Work of his appeared in Best British Short Stories 2016 and as the contribution from England to Dalkey Archive’s Best European Fiction 2018. Now living in London, he is a member of the European Literature Network. Website: www.johnsaul.co.uk

Colette Sensier is a prose writer and poet born in Brighton in 1988. She studied English at King’s College, Cambridge, and Creative Writing at UEA. Her debut poetry collection, Skinless, is published by Eyewear, and her poetry is also anthologised in The Salt Book of Younger Poets. She has completed a historical novel (with the help of mentoring from Bernardine Evaristo during a Spread the Word mentoring scheme) and a dramatic adaptation of a Shirley Jackson novel, and is working on new contemporary prose.

Robert Sheppard is mainly a poet, whose selected poems, History or Sleep, appears from Shearsman Books, and who has poetry anthologised in Anthology of Twentieth Century British and Irish Poetry (OUP) and Reality Street Book of Sonnets, among others. His short fiction is published as The Only Life (Knives Forks and Spoons Press), and is found amidst his 2015 autobiographical work, Words Out of Time, and in several places in his 2016 publication Unfinish (Veer Publications). He is Professor of Poetry and Poetics at Edge Hill University, where in 2016 they celebrate ten years of the Edge Hill Prize.

D. J. Taylor has written twelve novels, including Trespass (1998) and Derby Day (2011), both long-listed for the Man-Booker Prize, and, most recently Rock and Roll is Life: The True Story of the Helium Kids by One Who was There (2018). His non-fiction includes Orwell: The Life, which won the 2003 Whitbread Prize for Biography, The Prose Factory: Literary Life in England Since 1918 (2016) and Lost Girls: Love, War and Literature 1939–1951 (2019). He lives in Norwich with his wife, the novelist Rachel Hore.

Greg Thorpe is a freelance writer, DJ, curator and event producer in Manchester. He is a graduate of Manchester University and the Creative Writing MA at Manchester Metropolitan University. He has written for City Life, Time Out, The Big Issue, Creative Tourist, Manchester Evening News, Northern Soul, the Liverpool Biennial, Manchester Art Gallery and Cornerhouse, and has been writer in residence for Islington Mill and Manchester Central Library. He has curated and produced events for Manchester International Festival, the closing of Cornerhouse, the opening of HOME, and the launch of the Meltdown Festival at Southbank.

Mark Valentine is from Northampton but now lives in Yorkshire. He is the author of studies of Arthur Machen (1995) and the diplomat and fantasist Sarban (2010). His short stories are published by the independent imprints Tartarus Press (UK), The Swan River Press (Ireland), Sarob Press (France) and Zagava (Germany). He also writes essays on book-collecting and forgotten authors.

Reviews

If the latest iteration of Salt’s Best British Short Stories collection is anything to go by then the genre remains in safe hands. Whether safety is what we ought to demand of our writers, particularly in this traditionally experimental genre, is another question entirely. This is not to say that the collection is devoid of innovation: Ian Parkinson’s “A Belgian Story” is at once an allegory for contemporary debates surrounding immigration and the paranoid account of a deluded individual, and its success lies in the ambiguous tension between the two. John Saul’s “Song of the River” exhibits a Joycean fascination with the intersection between stories and songs.
*Times Literary Supplement*

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