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Proof [Original Motion Picture Soundtrack]
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Album: Proof [Original Motion Picture Soundtrack]
# Song Title   Time
1)    Proof, film score: Proof
2)    Proof, film score: Hope
3)    Proof, film score: Catherine
4)    Proof, film score: The Kiss
5)    Proof, film score: Writing the Proof
6)    Proof, film score: The Chapel
7)    Proof, film score: Lost Days
8)    Proof, film score: Testing the Proof
9)    Proof, film score: You Imagined You Wrote It
10)    Proof, film score: The Airport
11)    Proof, film score: Line by Line
 

Album: Proof [Original Motion Picture Soundtrack]
# Song Title   Time
1)    Proof, film score: Proof
2)    Proof, film score: Hope
3)    Proof, film score: Catherine
4)    Proof, film score: The Kiss
5)    Proof, film score: Writing the Proof
6)    Proof, film score: The Chapel
7)    Proof, film score: Lost Days
8)    Proof, film score: Testing the Proof
9)    Proof, film score: You Imagined You Wrote It
10)    Proof, film score: The Airport
11)    Proof, film score: Line by Line
 
Product Description
Product Details
Performer Notes
  • Composer: Stephen Warbeck.
  • Personnel: Stephen Warbeck (piano); Stephen Warbeck; Marcia Crayford (piano); Tim Harries (electric bass, bass guitar); Andy Park (electric bass); Andrew Pask (bass guitar); John Parricelli (electric guitar); Steve Lodder, Eleanor Alberga (piano); Stephen Henderson , Frank Ricotti, Gary Kettel (marimba).
  • Audio Mixer: Chris Dibble.
  • Recording information: Abbey Road Studios, Air Studios, Lansdowne Studios and.
  • The winning combination of John Madden, composer Stephen Warbeck, and Gwyneth Paltrow -- they struck Oscar gold in 1998 with Shakespeare in Love -- reunite for the psychological drama Proof. Warbeck, an ace comedy composer, has constructed a score that's as warm as it is wistful and as lush as it is brooding. The main cue is a taut midtempo exercise in Philip Glass minimalism that utilizes a repetitive Bill Frisell-style guitar line wrapped in layers of dramatic strings. It's far more refreshing than it sounds in print, and Warbeck never lets things go on too long. Proof may be a slow burn, but much like his other work with Madden (Captain Corelli's Mandolin, Shakespeare in Love, and Mrs. Brown), it leaves a scar. ~ James Christopher Monger
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