Although Aretha Franklin made her name as one of the greatest performers of hard-driving, soulful R&B in the 1960s, there is a compelling, lesser-known chapter in her career. Before her celebrated tenure at Atlantic, during which she was dubbed "the Queen of Soul," Franklin had a deal with Columbia Records, who put the vocalist's powerful, gospel-inflected voice to use singing jazz standards couched in lush arrangements. This material is the focus of Franklin's installation in the JAZZ MOODS: 'ROUND MIDNIGHT series.
The funky punch and grit usually associated with Franklin is absent here. Instead, the singer is backed by jazz combos and large orchestras, lending her performances, alternately, the sultry aspect of a smoky nightclub and the glittering, string-sweetened atmosphere of a glamorous ballroom. While the arrangements are formal, Franklin's voice is as passionate and expressive as ever, with her trademark technical prowess showcased on renditions of "Misty," the deeply bluesy "All Night Long," and the gorgeous, lilting "Only the Lonely." Franklin's earthy inflections work surprisingly well in a jazz context, making this collection a satisfying glimpse into the early part of Franklin's catalogue.
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