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Understories
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Promotional Information

National print campaign targeting coverage in all major newspapers; literary magazines (New Yorker, Harper’s, etc.); literary / pop culture magazines (Believer, Rain Taxi, etc.); and Jewish-interest publications. Because this is the author’s debut collection, we will aim for special coverage in the trade publications and in magazines such as Poets & Writers.

National radio campaign targeting NPR programs and regional New England public radio. Rachel Syme, NPR’s books editor, should love the book. The author also knows Jacki Lyden of All Things Considered and the producers of New Hampshire Public Radio’s Word of Mouth.

Online campaign targeting popular literary web sites and blogs, including Bookslut, Rumpus, HTML Giant, Onion, Paste, Largehearted Boy, Collagist, and many more + possible serialization through the Storyville app. The author is a contributor to the literary and film blog Big Other (www.bigother.com), has been the “writer in residence” at Necessary Fiction, and was just interviewed for The Nervous Breakdown.

Confirmed blurbs from Kate Christensen, Bradford Morrow, and Rebecca Makkai and possible endorsements from Steven Millhauser, Rick Moody, and Tobias Wolff.

Promotion through the author’s web site: www.timhorvath.com

Film trailer directed by Judd Ehrlich. A film version of the story “The Discipline of Shadows” is also in the works.

Galley giveaways through Library Thing, Goodreads, and popular literary blogs

Promotion through Bellevue Literary Press’s social media networks. We have just begun to make social marketing a priority and after transitioning our Facebook profile to a page, we now anticipate reaching 5,000 fans in 2011. The BLP Twitter following has doubled and grows daily. We also have a regular newsletter. We will use all of these tools to connect with our readers, feature BLP books and events, and conduct contest giveaways.

Promotion through the Grub Street mailing list and through the journal Camera Obscura, where the author serves as prose editor.

Significant galley printing. Advance reader copies available and distributed at ALA Midwinter

Special mailing to independent booksellers, soliciting quotes for the Indie Next list.

Outreach to librarians (especially Nancy Pearl) and library trade publications. The story “Circulation” is in part an homage to libraries featuring a librarian who lovingly invents the circulation history for his father's forgotten book.

Author tour: Washington, DC; Boston, MA; New York, NY; Portland, OR; Providence, RI; Seattle, WA; and more New England cities TBD throughout New Hampshire, Vermont, Maine, and Upstate New York

Author signing at Book Expo America

Co-op available

Molly Mikolowski will handle publicity and consult on marketing plans for this title.

About the Author

Tim Horvath, a graduate of Vassar College, Teachers College-Columbia University, and the University of New Hampshire, is an associate editor for Camera Obscura Journal and teaches creative writing at New Hampshire Institute of Art and Boston's Grub Street writing center. He has also worked part-time as a counselor in a psychiatric hospital, primarily with autistic children and adolescents. Understories, Horvath's first collection of short fiction, includes the award-winning "Understory," selected by Bill Henderson for the Raymond Carver Short Story Award, and "Circulation," selected by Clark Blaise for the Society for the Study of the Short Story Prize. His stories have also appeared in Conjunctions, Fiction, Alimentum, Puerto del Sol, and elsewhere. He lives in New Hampshire with his wife and daughter.

Reviews

New Hampshire Literary Award Winner NPR Books Summer Reading Selection New Hampshire Public Radio Summer Books Selection Salon What to Read Awards Largehearted Boy Favorite Short Story Collection of the Year "My favorite collection of short stories in recent memory." --NANCY PEARL, NPR Morning Edition "Profound ... with more to say on the human condition than most full books... A remarkable collection, with pitch-perfect leaps of imagination." --Minneapolis Star Tribune "Horvath doesn't just tell a story, he gives readers a window into the hearts, minds and souls of his characters." --Concord Monitor "This stunning collection revels in wordplay and inventiveness, and is one of the finest short fiction collections I have read all year." --Largehearted Boy "Gets at the heart of our contemporary zeitgeist ... Echoing the intricate metaphysical labyrinths of Borges, the philosophizing literary absurdity of David Foster Wallace, and the American-styled magical realism of Lethem, [Understories] is a deeply reflective, highly imaginative work." --Tottenville Review "This is transformative prose at its best... If you want an actual contemporary wordsmith who does not just tinker but thrives in the micro-worlds of Calvino and Borges, Walser and Perec, read Understories." --HTML Giant "Touching and captivating ... though I may have come to Understories for the weirdness, I stayed around for the quality of the writing and the emotions of the characters." --InDigest "Weird and wonderful... But for all th[e] playfulness--sometimes intellectual, sometimes bawdy--Understories is no rarefied exercise. Horvath rallies all the senses, smell and touch and taste and the others, in support of his interrogation of the universe, and his work is firmly grounded in the real world no matter how fantastic his musings." --Bloom "As any great book, Understories confronts the making of fiction itself, intermittently directly confronting the mechanics of fabrication... A major accomplishment by a major writer ... full of writing as deeply aware of its antecedents as it is aware of the possibilities within, of, and about narrative." --Big Other "This collection stand[s] out. There's plenty of imagination [in Understories] but it's rooted in recognizable and occasionally irrational emotions, a human quality that makes these stories endure... Below the striking imagery, there's abundant emotional depth to be found." --Vol. 1 Brooklyn "Some books inspire, others seize. Understories seizes, shakes, then splits everything open." --Punchnel's "Horvath's writing is so consistently fun, engaging, inventive, and imaginative while displaying such range between stories, that the reader will never grow bored." --Small Press Book Review "Every echo, despite its resonance, is a kind of individual pocket... As a fiction collection, then, Understories resonates not only on the stories as stories, but as an arrangement of individual parts. The buzz it gives off is the combined buzz of countless pockets, all charged with a life and surprise of their own." --Collagist "These stories are triumphs of the imagination." --Fantasy Literature "A wild ride. [Understories] is a highly inventive short story collection that interweaves absurdity with a deep understanding of what makes people tick." --Kenyon Review "With plenty of humor and a good dose of poignancy, Understories is an excellent assortment for those who want something that blends traditional and speculative fiction together well." --Midwest Book Review "Understories is fueled by a wonderfully inventive mind, but ultimately, it is a mind in service to the heart. Horvath's attention is always squarely on us: who we are, who we have been, and how a great story can transform us." --MATT BELL, author of Cataclysm Baby and In the House upon the Dirt between the Lake and the Woods "Remarkable writing and remarkably rewarding reading: stories equally saturated in contemporary fact and transfactual acids. An atlas of canny and uncanny maps, mainly cityscapes, of the branching imagination and convoluted heart. Move over, Mercator and Google Earth: make way for Horvath's haunting projections." --BRIAN BOYD, author of Stalking Nabokov "Tim Horvath is a fluid, inventive writer who deftly interweaves the palpably real and the pyrotechnically fantastic. At once playful, deeply moving, and sharply funny, Understories satisfies the mind, the heart, and the gut." --KATE CHRISTENSEN, author of The Astral and The Great Man "Horvath seems to be channeling, all at once, Borges and Calvino and Kevin Brockmeier. And it all works." --REBECCA MAKKAI, author of The Borrower

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