...clear, to the point and packed with black and white stills...' Total Film '...Jackson's commentary on the film is passionate and informed...' - H-France Review
Acknowledgments Introduction: Paris 1937 1. Renoir before La Grande Illusion 2. An Escape Story 3. The Making of the Film: Auteur as ‘Ringmaster’ 4. Variations on Realism: ‘Interior Truth’ and ‘Exterior Truth’ 5. Boundaries and Crossing Boundaries 6. Politics: La Grande Illusion between the Popular Front and Vichy 7. Afterlives: Escape and Survival 8. What Illusion(s)? Notes Credits Bibliography
JULIAN JACKSON is Professor of Modern History at Queen Mary, University of London. His publications include The Popular Front in France: Defending Democracy 1934-1938 (1988), France: the Dark Years 1940-1944 (2001) and The Fall of France (2003), which was the joint winner of the 2004 Wolfson Prize for history. He is a fellow of the British Academy and Commandeur dans l'Ordre des Palmes Academiques
...clear, to the point and packed with black and white
stills...
*Total Film*
...Jackson's commentary on the film is passionate and informed…
*France Review*
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