Table of Contents

Acknowledgements
Introduction
Part 1 Collecting in a Virtual World
1. Marcus Boon, “Meditations in an Emergency: On the Apparent Destruction of My mp3 Collection”
2. Matthew James Vechinski, “Collecting, Curating, and the Magic Circle of Ownership in a Postmaterial Culture”
3. Phillip Hutchison, “Searching for Cap’n Ernie’s Treasure Chest:
Collecting and Sharing the Lost History of Live Local Television Genres”
Part 2 Changing Relationships with Things
4. David Banash, “Virtual Life and the Value of Objects: Nostalgia, Distinction, and Collecting in the Twenty-First Century”
5. Daniel DeChaine, “Memory, Desire, and the “Good Collector” in PEZhead Culture”
6. William Davies King, “Suited for Nothing: Collecting Second Hand”
7. Stanley Cavell, “The World As Things: Collecting Thoughts On Collecting”
Part 3 Collecting and Identity, Personal and Political
8. Stephen A. Andon, “From the Attic to the Mallpark: A Collection’s Transition from Private to Public in a New Professional Baseball Stadium”
9. Mechtild Widrich, “Collecting ‘History in the Making’: The Privatization of Propaganda in National Socialist Cigarette Cards”
10. Terri Baker, “‘The record of a life’: Nation and Narrative
in Victorian Women’s Collections”
Part 4 Collecting Practices and Cultural Hierarchies
11. Sophie Thomas, “Distraction and Display: the Curiosity Cabinet and the Romantic Museum.”
12. Mary Titus, “Collection and Parody: Taliesin and House on the Rock”
13. Kevin M. Moist, “Record Collecting as Cultural Anthropology”
Bibliography
Contributor Biographies

About the Author

Kevin M. Moist is associate professor of communications at Pennsylvania State University – Altoona College. He has written for numerous journals, including The Journal of Popular Culture, American Studies, Journalism and Mass Communication Quarterly, and Studies in Popular Culture.

David Banash is professor of English at Western Illinois University, where he teaches courses in contemporary American literature, film, and popular culture. His essays and reviews have appeared in Postmodern Culture, Reconstruction, Bad Subjects, American Book Review, and PopMatters. His book Collage Culture: Readymades, Meaning, and the Age of Consumption is forthcoming in 2013.

Reviews

In editors Moist and Banash's volume on collecting, philosopher Stanley Cavell writes that "collecting for possession and display is as primitive as gathering food for survival." The contributors assess the growing significance of different impulses, forms, and manifestations of collecting as a cultural practice through a series of 13 provocative essays. Cavell's foundational treatment examines different collection guises from Homer to Walter Benjamin. In the section "Collecting in a Virtual World," the subject is things that occur in memory, ephemera, and cyberspace, such as 1960s provincial children's television. Banash's essay explores changing relationships to possessions in a post-material world, the reclamation of Pez dispensers (a candy-toy combination), and William King's meditation on a collection of nothing (cast-off secondhand items). The collecting and identity section visits baseball memorabilia that moves from a private collection to a stadium, Nazi cigarette cards (popular tales of Hitler avidly sought by German youth), and the Victorian women's collections that helped create a national narrative. A final section on collecting and hierarchy suggests a cultural anthropology accomplished through record collecting, Alex Jordan Jr.'s unintentionally comedic House on the Rock collections, and the evolution of curiosity cabinets into modern museums. Summing Up: Recommended. All readership levels.
*CHOICE*

The idea of collecting as a reflection of historical and cultural development is examined in a series of scholarly essays written by various authors, differing from the usual price guides and how-to sources on collecting. An introduction gives an overview of the types and techniques of collections and collecting, as well as the arrangement of the essays. The 12 new essays and one reprinted essay are grouped into four basic themes: collecting in a virtual world, relationships between collector and their collections, collecting as a reflection of identity (both personal and political), and how collecting practices relate to cultural development. The essay topics range from whimsical to sobering (i.e., from toys to Nazi propaganda), from the curiosity cabinets of the seventeenth and eighteenth centuries to the more modern MP3 files. Each essay is followed by a bibliography and some are enhanced with illustrations. There is an index and information about the essay contributors at the end. This is an interesting examination of collections and collecting that would serve as a beginning place for scholarly research.
*American Reference Books Annual*